The Rose of No-man’s Land

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

This is a story set in November 1918 and deals with experiences of victims of World War I. As a soldier and a nurse suffer the consequences of war in a trench their parents talk about them and read their letters in joyous expectation of their imminent return home.

 

Two sets on stage: 

 

A sand bagged trench occupies one side of the stage while a lounge room is the other side.

 

Switching from one scene to the other is done by lighting.

 

 

Characters:

 

A young soldier           trapped by the enemy in a trench somewhere in France.

 

A young nurse              Jumps into the same trench to avoid the gunfire.

 

Mrs Bell                      is a widow and it is her son who is the soldier in the trench.

 

Mr Gibson                   is a returned solider and the nurse is his daughter.

 

 

 

 

 

 

 

 

 

 

Scene 1:

 

A loud explosion occurs and then the lights go up on a young soldier in a trench covers his head as he is showered with the dirt flung by the explosion. Another explosion occurs and suddenly a nurse jumps into the trench beside the soldier.

 

 

NURSE:         Soldier, are you hurt?

SOLDIER:     What are you doing here? This is the front line.

NURSE:         I saw you fall into the trench.

SOLDIER:     You should be in the clearing station. Fritz is only fifty yards away.

NURSE:         I was moving to another station and saw you fall back into the trench. I

                        thought you were hurt.

SOLDIER:     Thanks.

 

The soldier cautiously peers over the top of the trench only to duck down when gunfire flies over his head.

 

NURSE:         They’ve got us marked. Keep your head low.

 

There’s another loud explosion and the soldier throws himself over the nurse as more dirt rains down on them. Then he rolls off her.

 

SOLDIER:     You alright?

NURSE:         Yes.

SOLDIER:     They’re trying to get a range on us. We’re sitting ducks.

NURSE:         Can’t we move away?

SOLDIER:     We’d be easy target practice. We’ve just gotta sit it out and hope ours get

                        their range before Fritz.

 

 

The nurse watches the soldier fix his bayonet.

 

NURSE:         What are you doing?

SOLDIER:     I’m out of amo.

NURSE:         What does that mean?

SOLDIER:     If they come over the top, all I can do is stick ‘em.

NURSE:         Oh! Let’s hope they don’t come.

SOLDIER:     I’ll agree with that.

NURSE:         (pause for thought) We’re stuck here.

SOLDIER:     (With a grin) Me mates’ll spit tacks when they find out I’ve spent the

                        night in a trench with a nurse

NURSE:         Don’t get ahead of yourself.

 

They settle side by side against the sandbags.

 

SOLDIER:     What’s it like back at the station?

NURSE:         We’re full and then some. We had a rush of gas victims. (thinking of the

                        effects) It’s terrible stuff.

SOLDIER:     I can smell it on you.

NURSE:         I was changing stations to get a rest from it. It was getting in my eyes and

                        lungs too.

 

The soldier takes out a pen and a small note pad and begins to write.

 

NURSE:         Do you keep a diary?

SOLDIER:     Sort of. I’ve gotta tell ‘em at home about my nurse in the trench.

 

 

 

 

 

The nurse smiles at the soldier and shakes her head.

 

NURSE:         You make it sound like a date.

SOLDIER:     It is! It’s a date with destiny. It must have been fate that we were to meet

                        like this.

NURSE:         I guess it must be.

 

The soldier continues to scribble.

 

NURSE:         Do you write home often?

SOLDIER:     As often as I can. How about you?

NURSE:         I should write more.

SOLDIER:     I find it hard to know what to write. I don’t want to sound frightened.

NURSE:         Being frightened is nothing to be ashamed of.

SOLDIER:     I’m supposed to be a soldier.

NURSE:         I’ve never met a soldier who wasn’t frightened.

SOLDIER:     Oh, yeah!

NURSE:         Yes. You just don’t act that way.

SOLDIER:     Well, that’s good.

 

There’s yet another explosion. The scene goes black and then there are screams from the soldier and the nurse.

 

 

 

 

 

 

 

 

 

Scene 2:

 

Back in Australia the lights go up on Mrs Bell carrying a tray of tea things into  her lounge room. There’s a knock on the door.

 

MRGIBSON: (Off stage) It’s only me Mrs Bell. You’ve got mail!

MRSBELL:    Come in Mr Gibson. Anything from the front?

MRGIBSON: (Appearing with a limp) I’m afraid not.

MRSBELL:    I wish there were some word.

MRGIBSON: I’m sure there will be soon.

MRSBELL:    Cup of tea?

MRGIBSON: Lovely!

 

Mr Gibson sits and Mrs Bell pours tea as they talk.

 

MRSBELL:    How long since you’ve heard from your daughter?

MRGIBSON: It must be six months. She was in Egypt then. She’d just been told she

                        was going behind the lines in France.

MRSBELL:    The worst thing is not knowing.

MRGIBSON: I know.

MRSBELL:    The things you hear about. I sit at night and wonder; is he alright; where is

                        he now; what sort of danger is he in.

MRGIBSON: I’m sure he’s fine.

MRSBELL:    Oh, I hope so because after that referendum vote they’ve got no support

                        from back home.

MRGIBSON: I don’t think I would go that far Mrs Bell.

MRSBELL:    Do you agree with the decision.

MRGIBSON: No, no.

 

 

 

MRSBELL:    I’m sorry. I just get so angry. The thought of our sons and daughters

                        fighting over there, and others, still able bodied and gutless; walking

                        through the streets of Australia when they should be enlisting.

                        Conscription is the only answer!

MRGIBSON: The majority said no.

 

Mrs Bell picks up her knitting; she is knitting woolen socks.

 

MRSBELL:    I don’t mean this to sound so wrong, Mr Gibson, but you don’t know how

 it feels, knowing your son’s being shot at. I know your daughter is doing

a fine thing but she is behind the lines and away from the real dangers.

MRGIBSON: I got my gammy leg on a front line, Mrs Bell.

MRSBELL:    (feeling guilty) Yes, I’m sorry. I just wasn’t thinking straight.

MRGIBSON: That’s alright. What your son is doing is a glorious, wonderful thing for

                        King and country. We can be mighty proud of both of them.

 

Mr Gibson pours more tea while Mrs Bell knits.

 

MRGIBSON: The efforts you ladies are putting in is something to be proud of too. I read

                        somewhere that over 150 000 pairs of socks have been sent to the front.

MRSBELL:    I knit a pair a day. It’s not much but it’s something.

MRGIBSON: It’s not only the socks, but the food parcels and the messages of

                        encouragement.

MRSBELL:    There’s so little we can do.

MRGIBSON: It boosts morale and that’s a very important thing.

MRSBELL:    I get so angry at these men who won’t go and fight. I’m afraid I really lost

                        my temper the other day.

MRGIBSON: In what way?

 

 

 

MRSBELL:    I’ve been watching this boy for weeks now, walking about the town with

 no intention of ding his duty. I couldn’t let it go any longer and I stood                     him up in the high street. I gave him a piece of my mind, I can tell you.

He just stared right through me. I gave him a white feather.

MRGIBSON: Do you know his name?

MRSBELL:    Grey, I think. John Grey.

 

Mr Gibson looks horrified at Mrs Bell.

 

MRSBELL:    What’s the matter, M Gibson.

MRGIBSON: Johnny Grey was one of the first to go to the war. He is home because he

                        suffers from shell shock.

 

The lights go down on he two parents deep in thought.